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Home of independent specialist book publishing across the full spectrum of cinema and the moving image.

The Spring Sale is now on! Order now for a massive 30% discount across all titles including brand new books listed below!!

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NEW TITLES

INTERNATIONAL FILM GUIDE 2010 (46TH EDITION)

The Definitive Annual Review of World Cinema (OUT FEB '10)

Ian Haydn Smith (ed.)
February 2010

Widely regarded as the most authoritative and trusted source of information on contemporary world cinema, the International Film Guide offers an overview of trends and changes in global cinema across the last 12 months. 

Electric Sheep magazine: Winter 2009

I Fought the Law


December 2009

The winter 09 issue of Electric Sheep looks at what makes a cinematic outlaw: read about the misdeeds of low-life gangsters, gentlemen thieves, deadly females, modern terrorists, cop killers and vigilantes, bikers and banned filmmakers.

FILM VIOLENCE

History, Ideology, Genre

James Kendrick
December 2009

A concise and accessible introduction to the role violence has played in the cinema from the silent era to the present.

NEW KOREAN CINEMA

Breaking the Waves

Darcy Paquet
December 2009

New Korean Cinema charts the dramatic transformation of South Korea's film industry from the democratisation movement of the late 1980s to the ascent of a new generation of directors in the 2000s.    

FANTASY CINEMA

Impossible Worlds on Screen

David Butler
October 2009

'This introduction's multifaceted approach provides a model for future scholars and students of this important film genre.'
- Joshua David Bellin, La Roche College    

POST-CLASSICAL CINEMA

An International Poetics of Film Narration

Eleftheria Thanouli
October 2009

Does the term ‘post-classical' have any relevance in current debates on contemporary cinema?

NEO-NOIR

Mark Bould, Kathrina Glitre and Greg Tuck (eds)
October 2009

Neo-noir knows its past. It knows the rules of the game - and how to break them. This wide-ranging collection maps out the terrain, combining genre, stylistic and textual analysis with Marxist, feminist, psychoanalytic and industrial approaches. 

The Personal Camera

Subjective Cinema and the Essay Film

Laura Rascaroli
October 2009

This book provides novel answers to some of the seminal questions of cinema: on the nature of the cinematographic experience, on authorship and spectatorship, on the filmic commitment to truth and on the state of subjectivity today.