short cuts
The SHORT CUTS series is a comprehensive list of introductory texts covering the full spectrum of Film Studies, including genres, critical concepts, film histories/movements and film technologies.
With concise discussion of contemporary issues within historical and cultural context and the extensive use of illustrative case studies, this list of study guides is perfectly suited to building an individually-styled library for all students and enthusiasts of cinema and popular culture.
The series will grow to well over sixty titles; listed below are those already published in this ambitious attempt to systematically cover all the major areas of undergraduate Film Studies.
Forthcoming titles include studies of Bollywood, Film Authorship, New Korean Cinema, Fantasy Cinema, Film Violence, Biopics, Heritage Cinema, Silent Cinema, Action Movies, American Independent Cinema, Cinematography, Film Theory, International Politics and Film, The Heist Film, Postmodernism and Film, Queer Cinema, Adventure Movies, etc etc...
'This series is tailor-made for a modular approach to film studies … an indispensable tool for both lecturer and students.’ Professor Paul Willemen, University of Ulster
‘Always wise and occasionally witty as well, the Short Cuts series offer fast-paced, concise, learned, readable and often fun studies.’ John P. Garry III
‘The Wallflower Short Cuts series is academic in its orientation, but both Science Fiction Cinema and The Horror Genre are written with a lively and stimulating accessibility, while the probing intelligence and constantly surprising insights mark them out as significantly different from any of their predecessors.’ Barry Foreshaw, Starlog 15
‘These are handsome books, and the essays place the art of film in a larger context. The series must have been conceived with Film Studies courses in mind, but I recommend them to anyone who, like me, will never tire of interesting critical analyses of films, filmmakers and the world they inhabit.’ Blaine Kyllo, Geist
Auteurs and Other Myths
C. Paul Sellors
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978-1-906660-24-6 (pbk)
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Breaking the Waves
Darcy Paquet
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978-1-906660-25-3 (pbk)
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History, Ideology, Genre
James Kendrick
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978-1-906660-26-0 (pbk)
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Impossible Worlds on Screen
David Butler
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978-1-906660-16-1 (pbk)
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Cinema and the Re-Creation of the World
S. Brent Plate
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978-1-905674-69-5 (pbk)
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Taking Movies Seriously
Daniel Shaw
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978-1-905674-70-1 (pbk)
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From Heritage to Horror
James Leggott
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978-1-905674-71-8 (pbk)
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The World of Light and Shadow
Ian Roberts
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978-1-905674-60-2 (pbk)
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The Telling of Stories
Mike Chopra-Gant
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978-1-905674-59-6 (pbk)
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A New Look
Naomi Greene
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978-1-905674-12-1 (pbk)
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Investigating the Scene
Kirsten Moana Thompson
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978-1-905674-13-8 (pbk)
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Such Things as Dreams Are Made of
Caroline Jess-Cooke
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978-1-905674-14-5 (pbk)
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The Power of Looking On
Michelle Aaron
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978-1-905674-01-5 (pbk)
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Boy Meets Girl Meets Genre
Tamar Jeffers McDonald
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978-1-905674-02-2 (pbk)
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From Iconography to Ideology
Barry Grant
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978-1-904764-79-3 (pbk)
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Hollywood on the Front Line
Guy Westwell
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978-1-904764-54-0 (pbk)
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Rebuilding the Cinematic City
Mark Shiel
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978-1-904764-48-9 (pbk)
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From Bonnie and Clyde to Star Wars
Peter Krämer
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978-1-904764-58-8 (pbk)
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The Margins of Reality
Paul Ward
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978-1-904764-59-5 (pbk)
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American Youth on Screen
Timothy Shary
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978-1-904764-49-6 (pbk)
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From Berlin to Sin City
Mark Bould
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978-1-904764-50-2 (pbk)
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Race, Gender and Performance
Susan Smith
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978-1–904764–37–3 (pbk)
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Reinventing the Moving Image
Holly Willis
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978-1-904764-25-0 (pbk)
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From Achievement to Appreciation
Andrew Klevan
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978-1-904764-24-3 (pbk)
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Writing the Woman into Cinema
Janet McCabe
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978-1-904764-03-8 (pbk)
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Genre, Style, Sensibility
John Mercer
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978-1-904764-02-1 (pbk)
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Soundtracks and Synergy
Pauline Reay
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978-1-903364-65-9 (pbk)
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From Factory Gate to Dream Factory
Simon Popple
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978-1–903364–58–1 (pbk)
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Images of a Generation
Julia Knight
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978-1–903364–28–4 (pbk)
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Architects of the Screen
Jane Barnwell
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978-1-903364-55-0 (pbk)
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Forms, Themes and Passions
Michael O'Pray
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978-1-903364-56-7 (pbk)
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The Art of the Expressive
Valerie Orpen
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978-1-903364-53-6 (pbk)
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From Documentary to Brit Grit
Samantha Lay
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978-1-903364-41-3 (pbk)
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The Contested Screen
Alison Butler
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978-1-903364-27-7 (pbk)
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Genre and Authorship
Paul Wells
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978-1-903364-20-8 (pbk)
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The Craft of Screenwriting
Tudor Gates
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978-1-903364-26-0 (pbk)
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Challenging Representations
Sheila Cornelius with Ian Haydn Smith
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978-1-903364-13-0 (pbk)
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Film Style and Interpretation
John Gibbs
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978-1-903364-06-2 (pbk)
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Dress Codes in Popular Film
Sarah Street
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978-1-903364-18-5 (pbk)
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The Play of Shadows
Vicky Lebeau
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978-1-903364-19-2 (pbk)
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From Lordsburg to Big Whiskey
John Saunders
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978-1-903364-12-3 (pbk)
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The Cinema of Catastrophe (second edition)
Stephen Keane
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978-1-905674-03-9 (pbk)
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Spaces and Meanings in American Film
Deborah Thomas
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978-1-903364-01-7 (pbk)
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Innovation, Ideology and Propaganda
David Gillespie
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978-1-903364-04-8 (pbk)
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From Outerspace to Cyberspace
Geoff King and Tanya Krzwynska
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978-1-903364-03-1 (pbk)
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Hollywood’s Production of Popular Identities
Paul McDonald
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978-1-903364-02-4 (pbk)
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From Beelzebub to Blair Witch
Paul Wells
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978-1-903364-00-0 (pbk)
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