entire backlist
Below is the entire list of Wallflower Press publications presented by series.
international film guide |
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INTERNATIONAL FILM GUIDE 2010 (46TH EDITION)The Definitive Annual Review of World Cinema (OUT FEB '10)Ian Haydn Smith (ed.) |
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INTERNATIONAL FILM GUIDE 2009 (45TH EDITION)The Definitive Annual Review of World CinemaIan Haydn Smith (ed.) |
short cuts |
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FILM VIOLENCEHistory, Ideology, GenreJames Kendrick |
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NEW KOREAN CINEMABreaking the WavesDarcy Paquet |
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FANTASY CINEMAImpossible Worlds on ScreenDavid Butler |
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43 | RELIGION AND FILMCinema and the Re-Creation of the WorldS. Brent Plate |
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42 | FILM AND PHILOSOPHYTaking Movies SeriouslyDaniel Shaw |
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41 | CONTEMPORARY BRITISH CINEMAFrom Heritage to HorrorJames Leggott |
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39 | CINEMA AND HISTORYThe Telling of StoriesMike Chopra-Gant |
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40 | GERMAN EXPRESSIONIST CINEMAThe World of Light and ShadowIan Roberts |
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38 | THE FRENCH NEW WAVEA New LookNaomi Greene |
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36 | SHAKESPEARE ON FILMSuch Things as Dreams Are Made ofCaroline Jess-Cooke |
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37 | CRIME FILMSInvestigating the SceneKirsten Moana Thompson |
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35 | SPECTATORSHIPThe Power of Looking OnMichelle Aaron |
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34 | ROMANTIC COMEDYBoy Meets Girl Meets GenreTamar Jeffers McDonald |
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33 | FILM GENREFrom Iconography to IdeologyBarry Grant |
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32 | WAR CINEMAHollywood on the Front LineGuy Westwell |
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31 | ITALIAN NEOREALISMRebuilding the Cinematic CityMark Shiel |
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30 | THE NEW HOLLYWOODFrom Bonnie and Clyde to Star WarsPeter Krämer |
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29 | DOCUMENTARYThe Margins of RealityPaul Ward |
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27 | FILM NOIRFrom Berlin to Sin CityMark Bould |
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28 | TEEN MOVIESAmerican Youth on ScreenTimothy Shary |
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26 | THE MUSICALRace, Gender and PerformanceSusan Smith |
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25 | NEW DIGITAL CINEMAReinventing the Moving ImageHolly Willis |
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24 | FILM PERFORMANCEFrom Achievement to AppreciationAndrew Klevan |
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22 | MELODRAMAGenre, Style, SensibilityJohn Mercer |
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23 | FEMINIST FILM STUDIESWriting the Woman into CinemaJanet McCabe |
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21 | MUSIC IN FILMSoundtracks and SynergyPauline Reay |
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18 | PRODUCTION DESIGNArchitects of the ScreenJane Barnwell |
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19 | NEW GERMAN CINEMAImages of a GenerationJulia Knight |
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20 | EARLY CINEMAFrom Factory Gate to Dream FactorySimon Popple |
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17 | AVANT-GARDE FILMForms, Themes and PassionsMichael O'Pray |
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16 | FILM EDITINGThe Art of the ExpressiveValerie Orpen |
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15 | BRITISH SOCIAL REALISMFrom Documentary to Brit GritSamantha Lay |
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14 | WOMEN’S CINEMAThe Contested ScreenAlison Butler |
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13 | ANIMATIONGenre and AuthorshipPaul Wells |
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12 | SCENARIOThe Craft of ScreenwritingTudor Gates |
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11 | NEW CHINESE CINEMAChallenging RepresentationsSheila Cornelius with Ian Haydn Smith |
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10 | MISE-EN-SCÈNEFilm Style and InterpretationJohn Gibbs |
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09 | COSTUME AND CINEMADress Codes in Popular FilmSarah Street |
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08 | PSYCHOANALYSIS AND CINEMAThe Play of ShadowsVicky Lebeau |
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07 | THE WESTERN GENREFrom Lordsburg to Big WhiskeyJohn Saunders |
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06 | DISASTER MOVIESThe Cinema of Catastrophe (second edition)Stephen Keane |
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05 | READING HOLLYWOODSpaces and Meanings in American FilmDeborah Thomas |
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04 | EARLY SOVIET CINEMAInnovation, Ideology and PropagandaDavid Gillespie |
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03 | SCIENCE FICTION CINEMAFrom Outerspace to CyberspaceGeoff King and Tanya Krzwynska |
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02 | THE STAR SYSTEMHollywood’s Production of Popular IdentitiesPaul McDonald |
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01 | THE HORROR GENREFrom Beelzebub to Blair WitchPaul Wells |
directors’ cuts |
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THE CINEMA OF SALLY POTTERA Politics of LoveSophie Mayer |
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THE CINEMA OF JOHN SAYLESLone StarMark Bould |
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THE CINEMA OF DAVID CRONENBERGFrom Baron of Blood to Cultural HeroErnest Mathijs |
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THE CINEMA OF JAN SVANKMAJERDark Alchemy (2nd edition)Peter Hames (ed.) |
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THE CINEMA OF NEIL JORDANDark CarnivalCarole ZuckerForeward by Stephen Rea |
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THE CINEMA OF LARS VON TRIERAuthenticity and ArtificeCaroline Bainbridge |
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THE CINEMA OF TERRENCE MALICKPoetic Visions of America (2nd edition)Hannah Patterson (ed.) |
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THE CINEMA OF WERNER HERZOGAesthetic Ecstasy and TruthBrad Prager |
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THE CINEMA OF ANG LEEThe Other Side of the ScreenWhitney Crothers Dilley |
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THE CINEMA OF TODD HAYNESAll That Heaven AllowsJames Morrison (ed.) |
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THE CINEMA OF STEVEN SPIELBERGEmpire of LightNigel Morris |
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THE CINEMA OF ROMAN POLANSKIDark Spaces of the WorldJohn Orr and Elzbieta Ostrowska (eds) |
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THE CINEMA OF JOHN CARPENTERThe Technique of TerrorIan Conrich |
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THE CINEMA OF MIKE LEIGHA Sense of the RealGarry Watson |
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THE CINEMA OF NANNI MORETTIDreams and DiariesEwa Mazierska and Laura Rascaroli |
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THE CINEMA OF KRZYSZTOF KIESLOWSKIVariations on Destiny and ChanceMarek Haltof |
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THE CINEMA OF DAVID LYNCHAmerican Dreams, Nightmare VisionsErica Sheen and Annette Davison (eds) |
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THE CINEMA OF ANDRZEJ WAJDAThe Art of Irony and DefianceJohn Orr and Elzbieta Ostrowska (eds) |
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THE CINEMA OF GEORGE A. ROMEROKnight of the Living DeadTony Williams |
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THE CINEMA OF KATHRYN BIGELOWHollywood TransgressorSean Redmond and Deborah Jermyn (eds) |
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THE CINEMA OF ROBERT LEPAGEThe Poetics of MemoryAleksandar Dundjerovich |
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THE CINEMA OF WIM WENDERSThe Celluloid HighwayAlexander Graf |
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THE CINEMA OF KEN LOACHArt in the Service of the PeopleJacob Leigh |
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THE CINEMA OF EMIR KUSTURICANotes from the UndergroundGoran Gocic |
24 frames |
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THE CINEMA OF INDIALalitha Gopalan |
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THE CINEMA OF NORTH AFRICA & THE MIDDLE EASTGönül Dönmez-Colin (ed.)Preface by Abbas Kiarostami |
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THE CINEMA OF RUSSIA & THE FORMER SOVIET UNIONBirgit Beumers (ed.)Preface by Sergei Bodrov |
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THE CINEMA OF AUSTRALIA & NEW ZEALANDGeoff Mayer and Keith Beattie (eds)Preface by John Hughes |
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THE CINEMA OF THE BALKANSDina Iordanova (ed.)Preface by Dusan Makavejev |
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THE CINEMA OF CANADAJerry White (ed.)Preface by Atom Egoyan |
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THE CINEMA OF FRANCEPhil Powrie (ed.)Preface by Michel Marie |
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THE CINEMA OF SCANDINAVIATytti Soila (ed.)Preface by Jacob Neiiendam |
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THE CINEMA OF BRITAIN AND IRELANDBrian McFarlane (ed.)Preface by Roy Ward Baker |
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THE CINEMA OF SPAIN AND PORTUGALAlberto Mira (ed.)Preface by Román Gubern |
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THE CINEMA OF CENTRAL EUROPEPeter Hames (ed.)Preface by István Szabó |
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THE CINEMA OF JAPAN AND KOREAJustin Bowyer (ed.)Preface by Jinhee Choi |
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THE CINEMA OF THE LOW COUNTRIESErnest Mathijs (ed.)Preface by Harry Kümel |
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THE CINEMA OF ITALYGiorgio Bertellini (ed.)Preface by Gian Piero Brunetta |
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THE CINEMA OF LATIN AMERICAAlberto Elena and Marina Díaz López (eds)Preface by Walter Salles |
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nonfictions |
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The Personal CameraSubjective Cinema and the Essay FilmLaura Rascaroli |
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CHÁVEZ: THE REVOLUTION WILL NOT BE TELEVISEDA Case Study of Politics and the MediaRod Stoneman |
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DOCUMENTARY DISPLAYRe-Viewing Nonfiction Film and VideoKeith Beattie |
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FILMS OF FACTA History of Science in Documentary Films and TelevisionTimothy Boon |
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BUILDING BRIDGESThe Cinema of Jean RouchJoram Ten Brink (ed.)Preface by Michael Renov |
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VISION ONFilm, Television and the Arts in BritainJohn Wyver |
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THE IMAGE AND THE WITNESSTrauma, Memory and Visual CultureFrances Guerin and Roger Hallas (eds) |
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PROJECTING MIGRATIONTranscultural Documentary PracticeAlan Grossman and Áine O'Brien (eds)Preface by Hamid Naficy |
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DIRECT CINEMAObservational Documentary and the Politics of the SixtiesDave Saunders |
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cultographies |
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SUPERSTAR: THE KAREN CARPENTER STORYGlyn Davis |
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BAD TASTEJim Barratt |
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THE ROCKY HORROR PICTURE SHOWJeffrey Weinstock |
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DONNIE DARKOGeoff King |
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THIS IS SPINAL TAPEthan de Seife |
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close-up |
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CLOSE-UP 03The Police Series / Men's Cinema / Weimar CinemaJohn Gibbs and Douglas Pye (eds) |
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CLOSE-UP 02Movies and Tone / Reading Rohmer / Voices in FilmJohn Gibbs and Douglas Pye (eds) |
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CLOSE-UP 01Filmmakers' Choices / The Pop Song in Film / Reading BuffyJohn Gibbs and Douglas Pye (eds) |
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dekalog |
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DEKALOG 3ON FILM FESTIVALSRichard Porton (ed.) |
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DEKALOG 2On Manoel De OliveiraCarolin Overhoff Ferreira (ed.) |
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DEKALOG 1On The Five ObstructionsMette Hjort (ed.) |
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alterimage |
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ALTERNATIVE EUROPEEurotrash and Exploitation Cinema Since 1945Ernest Mathijs and Xavier Mendik (eds) |
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critical guides |
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CONTEMPORARY NORTH AMERICAN FILM DIRECTORSA Wallflower Critical Guide (second edition)Yoram Allon, Del Cullen and Hannah Patterson (eds) |
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CONTEMPORARY BRITISH AND IRISH FILM DIRECTORSA Wallflower Critical GuideYoram Allon, Del Cullen and Hannah Patterson (eds) |
imagetime |
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SEQUENCESContemporary Chronophotography and Experimental Digital ArtPaul St. George (ed.) |
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film & media studies |
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NEO-NOIRMark Bould, Kathrina Glitre and Greg Tuck (eds) |
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CINEPHILIA IN THE AGE OF DIGITAL REPRODUCTIONFilm, Pleasure and Digital Culture, vol. 1Scott Balcerzak and Jason Sperb (eds) |
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THE YOUTUBE READERPelle Snickars and Patrick Vonderau (eds) |
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APICHATPONG WEERASETHAKULJames Quandt (ed.) |
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SCENES OF LOVE AND MURDERRenoir, Film and PhilosophyColin Davis |
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CINEMA IN THE DIGITAL AGENicholas Rombes |
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SCREENWRITINGHistory, Theory and PracticeSteven Maras |
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WIM WENDERSJason Wood and Ian Haydn Smith (eds.) |
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LOS ANGELES BEFORE HOLLYWOODJournalism and American Film Culture, 1905 to 1915Jan Olsson |
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Film CuratorshipArchives, Museums and the Digital MarketplaceEdited by Paolo Cherchi Usai, David Francis, Alexander Horwath, Michael Loebenstein |
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HAUNTED IMAGESFilm, Ethics, Testimony and the HolocaustLibby Saxton |
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CITIES IN TRANSITIONThe Moving Image and the Modern MetropolisAndrew Webber and Emma Wilson (eds) |
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A FAMILY AFFAIRCinema Calls HomeMurray Pomerance (ed.) |
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INGMAR BERGMAN REVISITEDPerformance, Cinema and the ArtsMaaret Koskinen (ed.) |
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Reading the French New WaveCritics, Writers and Art Cinema in FranceDorota Ostrowska |
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JOSEF VON STERNBERGThe Case of Lena SmithAlexander Howarth and Michael Omasta (eds) |
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SUBVERSIONThe Definitive History of Underground CinemaDuncan Reekie |
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THE UNSILVERED SCREENSurrealism on FilmGraeme Harper and Rob Stone (eds) |
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DZIGA VERTOVThe Vertov Collection at The Austrian Film MuseumThomas Tode and Barbara Wurm (eds) |
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THE CINEMATIC TANGOContemporary Argentine FilmTamara L. Falicov |
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TALKING MOVIESContemporary World Filmmakers in InterviewJason WoodPreface by Geoff Andrew |
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FIRES WERE STARTEDBritish Cinema and Thatcherism (second edition)Lester Friedman (ed.) |
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FEMINIST AUTEURSReading Women's FilmsGeetha Ramanathan |
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LORD OF THE RINGSPopular Culture in Global ContextErnest Mathijs (ed.)Preface by Brian Sibley |
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FILMOSOPHYDaniel Frampton |
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REMAPPING WORLD CINEMAIdentity, Culture and Politics in FilmStephanie Dennison and Song Hwee Lim (eds) |
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CROSSING NEW EUROPEPostmodern Travel and the European Road MovieEwa Mazierska and Laura Rascaroli |
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SEX AND THE CINEMATanya Krzywinska |
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SCREEN METHODSComparative Readings in Film StudiesJaqueline Furby and Karen Randell (eds) |
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UNCOVERING THE HOLOCAUSTThe International Reception of Night and FogEwout van der Knaap (ed.) |
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THE LURE OF THE VAMPIREGender, Fiction and Fandom from Bram Stoker to BuffyMilly Williamson |
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THE MATRIX TRILOGYCyberpunk ReloadedStacy Gillis (ed.) |
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HITCHCOCK AND TWENTIETH-CENTURY CINEMAJohn Orr |
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MOVING IMAGE TECHNOLOGYFrom Zoetrope to DigitalLeo Enticknap |
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THE CZECHOSLOVAK NEW WAVEPeter Hames |
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THE RED AND THE WHITEThe Cinema of People’s PolandPaul Coates |
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REALITY TVRealism and RevelationAnita Biressi and Heather Nunn (eds) |
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SIGNS OF LIFEMedicine and CinemaGraeme Harper and Andrew MoorSir Kenneth Calman, former Chief Medical Officer, UK |
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BIG BROTHER INTERNATIONALFormats, Critics and PublicsErnest Mathijs and Janet Jones (eds) |
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KEEPING IT REALIrish Film and TelevisionRuth Barton and Harvey O’Brien (eds) |
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SELLING SEATTLERepresenting Contemporary Urban AmericaJames Lyons |
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THE TROUBLE WITH MENMasculinities in European and Hollywood CinemaPhil Powrie, Ann Davies and Bruce Babington (eds) |
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LIQUID METALThe Science Fiction Film ReaderSean Redmond (ed.) |
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VISIONS OF THE APOCALYPSESpectacles of Destruction in American CinemaWheeler Winston Dixon |
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THE HOLLYWOOD STORYEverything You Ever Wanted to Know About the American Movie Business But Didn’t Know Where to LookJoel W. Finler |
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EAST-WEST ENCOUNTERSFranco-Asian Cinema and LiteratureSylvie Blum-Reid |
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HUNGARIAN CINEMAFrom Coffee House to MultiplexJohn Cunningham |
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CINEMA OF THE OTHER EUROPEThe Industry and Artistry of East Central European FilmDina Iordanova |
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KUNG FU CULT MASTERSFrom Bruce Lee to Crouching TigerLeon Hunt |
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SOUNDSCAPEThe School of Sound Lectures, 1998–2001Larry Sider (ed.) |
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POPULAR MUSIC AND FILMIan Inglis (ed.) |
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CINEMA'S MISSING CHILDRENEmma Wilson |
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THIS THING OF OURSInvestigating The SopranosDavid Lavery (ed.) |
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TELEPARODYPredicting/Preventing the TV Discourse of TomorrowAngela Hague and David Lavery (eds) |
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FILM COMEDYGeoff King |
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FRANCE ON FILMReflections on Popular French CinemaLucy Mazdon (ed.) |
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THE STORY OF A CENTURY!An International Newsfilm ConferenceClyde Jeavons, Jane Mercer and Daniela Kirchner |
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THE BLADE RUNNER EXPERIENCEThe Legacy of a Science Fiction ClassicWill Brooker (ed.) |
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HOLOCAUST AND THE MOVING IMAGERepresentations in Film and Television Since 1933Toby Haggith and Joanna Newman (eds) |
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film criticism |
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WIDESCREENWatching. Real. People. ElsewhereMark Cousins |
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MOVIE WARSHow Hollywood and the Media Limit What Films We Can SeeJonathan Rosenbaum |
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LIGHT READINGSFilm Criticism and Screen ArtsChris Darke |
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film production/industry |
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THE ART OF FILMJohn Box and Production DesignIan Christie |
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THE HITCHCOCK ANNUAL ANTHOLOGYSelected Essays from Volumes 10-15Sidney Gottlieb and Richard Allen (eds) |
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PERFORMING ILLUSIONSCinema, Special Effects and the Virtual ActorDan North |
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INTRODUCTION TO DOCUMENTARY PRODUCTIONA Guide for Media StudentsSearle Kochberg (ed.) |
artists' film & video |
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GUSTAV DEUTSCHWilbirg Brainin-Donnenberg & Michael Loebenstein (eds.) |
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JAMES BENNINGBarbara Pichler and Claudia Slanar (eds) |
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JOHN COOKViennese by Choice, Filmemacher von BerufMichael Omasta |
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PETER TSCHERKASSKYAlexander Howarth and Michael Loebenstein (eds) |
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CINEMA OF PRAYOGAIndian Experimental Film and Video 1913-2006Brad Butler and Karen Mirza (eds) |
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THE ANIMATE! BOOKBenjamin Cook and Gary Thomas (eds) |
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THE MEMO BOOKFilms, Videos and Installations by Matthias MullerPeter Todd and Benjamin Cook (eds) |
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TWO FILMS BY OWEN LANDMark Webber (ed.) |
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SUBJECTS AND SEQUENCESA Margaret Tait ReaderPeter Todd and Benjamin Cook (eds) |
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THE UNDERCUT READERCritical Writings on Artists' Film and VideoNina Danino and Michael Mazière (eds) |