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Home of independent specialist book publishing across the full spectrum of cinema and the moving image.
The Winter Sale is now on! Order now for a massive 30% discount across all titles including brand new books listed below!!
Remember to visit our new café/gallery/screening space/book & DVD shop CINÉPHILIA WEST at 171 Westbourne Grove, London, W11 2RS. For more information go to our website: www.cinephilia.co.uk/west or check out our fabulous virtual tour!
NEW TITLES
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Electric Sheep magazine: Winter 2009I Fought the LawDecember 2009 The winter 09 issue of Electric Sheep looks at what makes a cinematic outlaw: read about the misdeeds of low-life gangsters, gentlemen thieves, deadly females, modern terrorists, cop killers and vigilantes, bikers and banned filmmakers. |
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FILM VIOLENCEHistory, Ideology, GenreJames KendrickDecember 2009 A concise and accessible introduction to the role violence has played in the cinema from the silent era to the present. |
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NEW KOREAN CINEMABreaking the WavesDarcy PaquetDecember 2009 New Korean Cinema charts the dramatic transformation of South Korea's film industry from the democratisation movement of the late 1980s to the ascent of a new generation of directors in the 2000s. |
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FANTASY CINEMAImpossible Worlds on ScreenDavid ButlerOctober 2009 'This introduction's multifaceted approach provides a model for future scholars and students of this important film genre.' - Joshua David Bellin, La Roche College |
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POST-CLASSICAL CINEMAAn International Poetics of Film NarrationEleftheria ThanouliOctober 2009 Does the term ‘post-classical' have any relevance in current debates on contemporary cinema? |
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NEO-NOIRMark Bould, Kathrina Glitre and Greg Tuck (eds)October 2009 Neo-noir knows its past. It knows the rules of the game - and how to break them. |
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The Personal CameraSubjective Cinema and the Essay FilmLaura RascaroliOctober 2009 'This study forces us to rethink many old assumptions about subjectivity, documentary and the image, and brings a thoughtful analysis to how the essay film works as a narrative and expositional device.' - Stella Bruzzi, University of Warwick |
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THE CINEMA OF SALLY POTTERA Politics of LoveSophie MayerJuly 2009 'A labour of love, which argues powerfully for the political urgency of Potter's films and their capacity to transform our perception of the world.' – Libby Saxton, Queen Mary, University of London |

















